Steady, Steady as she goes Climb aboard. Pedal, foot to the pedal Daddy’s got you. Whoaaaa, Wobblinggg, Wheww, got my balance. Roll, Rolling, easy does it. Fast, Faster, this is easy! Look at me! Tip, Tipping, Daddy, where are you? Steer, Handle bars steering Squeeze, Breaks are slowing Turn, Guiding and turning Pedal, Push a bit harder Pedal,, Move a bit faster Pedal,,, Gettin' it going! Dodge the bump Ford the stream Climb the hill Chart the course See you when you get home! What a shame if I had held on and you could go only as fast as your father And no farther.
I don’t know about you but as for me, closing my eyes to pray or meditate isn’t an option. I feel trapped in a dark place and start scrounging around for light of my own creation or imagining. And that is sure to distract me from my intentions.
I need a visual focus, something for my eyes to “see” while I let my mind settle. Settle on whatever is to come. So that I may welcome and receive it.
Recently, I’ve begun using the minute timer, extracted from a long ago game — possibly Pictionary — where turn-taking was measured in minutes. And before I begin my days’ adventures, I let the sand run. For one solid minute I’m motionless and focused on the grains of sand, seeping through the narrows, slowly, deliberately, orderly and completely.
“My blood shed for thee.” Do I actually hear the voice that speaks that?
“Poured out for your sins.” Where did that thought come from?
Sifted, sliding, shimmering in the ambient light. A sparkle, immediately quenched with its progress. Downward. Toward its finish. Emptying. Emptying. A hollow forms as its pace quickens, hurrying to its completion.
I am neither sad nor distressed as I watch these events unfold. The work of this sand is not remarkable, simply reasonable, inevitable. The consequence of gravity pulling it toward its destination, gathering it together into its lower realm. Poured out. Completely.
“I have emptied myself completely that you might be filled fully.”
“Whatever you do, do it in my name and for my name’s sake.”
Into my day I go, full of the grace and truth that this one minute holds. One day’s worth, bolstered by the assurance of these grains of sand, slipping one by one, of which I am one. Assured by these drops of blood, one by one, by which I’m saved.
Tomorrow I will turn it over and begin again.
This pair of eagles was perched on the rooftop, amiably and companionably awaiting the rise of the new day, new month, new year, new decade. I wonder what they can see way up ahead, where their eagle eyes can pierce through the fog, the foliage and the distance.
My eyes, on the other hand, are such feeble instruments, requiring spectacles to read the tiny print and binoculars to bring distant things into focus. What meager vision I have by comparison to these two magnificent creatures. And yet, I perch before my day and pretend to see it clearly.
Vision, what a miraculous gift! But how confounding. Because my two eyes, set apart as they are, give me two versions of my world, one from the right and one from the left. Thus, I have two perspectives on every viewpoint, such that by holding them together I may compare them and judge their distance. This is how My Designer teaches me depth perception.
In order to compare what each side sees, some of the “image” from my right eye crosses over to the left side of my brain and some of the “image” from my left eye crosses over to the right. Thus, my brain shares visual input “across its aisle,” considering both sides before concluding what it sees. This is how my Designer teaches me deliberation.
Because of the unique properties of the lens in my eye, the image on my retina is projected upside down. The top is on the bottom and the bottom is on the top. Only as I use my body through my environment, touching, feeling, manipulating what’s before me can I convert the image to see it “right side up.” This is how my Designer teaches me mind-body connection.
Next, my eyes send this abstract collection of color, intensity and pattern on a journey to my visual cortex where the inputs are compared with patterns I have seen before and impressions made by previous experience. Along with other pertinent sensory input, all of this is “processed” in light of what I’ve learned and what I believe. This is how my Designer teaches me understanding.
Finally, I see.
Isn’t it miraculous how inside a problem lay its solution? How inside a question lay its answer? And if we pay close attention, how inside a human lay our solution for humanity? This is how my Designer teaches me about Himself.
Sitting together on a rooftop taking in the long view before the sunrise of a new decade, I pray we might see into the distance and be completely and utterly amazed. Now that would be 2020 VISION.
*For more like this check out Made to Move: Knowing and Loving God Through Our Bodies.